Costumes by Robert Shane for "Microcosm" (2014) Claire Jacob-Zysman and Dancers.
Photograph by Jules Zysman
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Research & Writing
Art History, Theory, and Criticism Robert Shane's current book project Correcting Mirrors: Shame and Subjectivity in Contemporary Women's Art builds on his article "'I longed to cherish mirrored reflections': Mirroring and Black Female Subjectivity in Carrie Mae Weems's Art against Shame" in the journal Hypatia (vol. 33, 2018). He has written several articles on art and theory, and regularly presents his writing at conferences on art and philosophy including the College Art Association and the Kristeva Circle. His art criticism has been published in sources from The Brooklyn Rail to The Shambhala TImes. He is also increasingly engaged in curatorial projects and has written catalog essays for contemporary art exhibitions. He has a secondary interest in intersections between art and dance. On this topic he has presented work at the CAA and the Society of Dance History Scholars and published articles and catalog essays. His creative work includes collaborations with dancers and costume design. |
Education
PhD 2009, Stony Brook University, Art History and Criticism
Dissertation: “Commodity and Abjection: A psycho-social investigation of pop culture imagery in the artwork of Paul McCarthy” (advisor: Dr. Donald Kuspit)
Advanced Graduate Certificate in Art and Philosophy
2007, Stony Brook University
MA 2003, Stony Brook University, Art History and Criticism
Comprehensive exam: Passed with Distinction
BFA 2000, The College of Saint Rose, Albany, NY, Studio Art
Art History Minor
PhD 2009, Stony Brook University, Art History and Criticism
Dissertation: “Commodity and Abjection: A psycho-social investigation of pop culture imagery in the artwork of Paul McCarthy” (advisor: Dr. Donald Kuspit)
Advanced Graduate Certificate in Art and Philosophy
2007, Stony Brook University
MA 2003, Stony Brook University, Art History and Criticism
Comprehensive exam: Passed with Distinction
BFA 2000, The College of Saint Rose, Albany, NY, Studio Art
Art History Minor
Publications
Chapters in books
“Performing Painting: On the Time of Embodied Vision,” in Seeing Whole: Toward an Ethics and Ecology of Sight, Mark Ledbetter and Asbjørn Grønstad, eds. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016, pp. 237-260.
Scholarly articles
“‘I longed to cherish mirrored reflections’: Mirroring and Black Female Subjectivity in Carrie Mae Weems’s Art against Shame,” Hypatia: A Journal of Feminist Philosophy 33, issue 3 (2018), Special issue—Gender and the Politics of Shame, ed. Clara Fischer: 500-520. https://doi.org/10.1111/hypa.12391 https://onlinelibrary.wiley.com/toc/15272001/2018/33/3
“Motherhood According to Martha Graham: Dancing Jocasta” Theory@Buffalo 19, Special issue—Difference: Sexual, Cultural, Universal (2017): 83-110. https://ubir.buffalo.edu/xmlui/bitstream/handle/10477/75208/TheoryBuffalo19.pdf?sequence=15
“Looking and Moving: Kinesthetic Empathy, Dance, and the Visual Arts,” Art Criticism 25, nos. 1-2 (Spring-Fall 2010): 153-168.
“Paul McCarthy’s Painter as Self-Portrait and Self-Loathing,” Art Criticism 24, no. 2 (Fall 2009): 84-103.
“The Personal and the Political: The Dynamics of East German Art in the Painting of Willi Sitte,” Art Criticism 19, no. 2 (Fall 2004): 121-142.
“A Psychoanalytic Interpretation of Paul McCarthy’s Santa’s Chocolate Shop,” Art Criticism 18, no. 2 (Fall 2003): 84-103.
“From Formalism to Informe and Back Again: Rosalind Krauss’s use of Bataille,” Art Criticism 17, no. 2 (Fall 2002): 70-88
Art criticism and reviews
Review of Cameron Martin, Abstracts and Reticulations, The Brooklyn Rail (September 2017).
https://brooklynrail.org/2017/09/artseen/MARTIN-ABSTRACTS-AND-RETICULATIONS
“‘Without Beginning or End’—The Trans-Temporal Art of Yeachin Tsai,” The Shambhala Times (26, 28, 30 July 2017). Published in serial:
https://shambhalatimes.org/2017/07/26/without-beginning-or-end-part-1/
https://shambhalatimes.org/2017/07/28/without-beginning-or-end-part-2/
https://shambhalatimes.org/2017/07/30/without-beginning-or-end-part-3/
And printed in its entirety on artist’s website:
https://www.yeachintsaifineart.com/without-beginning-or-end-review-by-robert-r-shane
“Temporal Nomads: The Scandal of Postmodern History Painting,” The Brooklyn Rail (June 2017). http://brooklynrail.org/2017/06/criticspage/Contemporary-History-Painting
Review of Joan Oliver, Landlocked: Among the Many, The Spot 518 (28 June 2017). http://www.spotlightnews.com/thespot/2017/06/28/art-review-artist-invites-people-of-the-digital-world-to-slow-down-and-look-deeply/
“Tiffany in a New Light [Louis Comfort Tiffany Stained Glass at St. Paul’s Episcopal Church, Troy, NY],” Capital Region Living, June 2013, pp. 52-55. https://www.crlmag.com/tiffany-in-a-new-light-june-2013/
Catalogue essays
Author of the essay "Warhol's Romanticism: Polaroids of Children and Their Mothers" for the exhibition Younger Than Today: Photographs of Children (and sometimes their mothers) by Andy Warhol, curated by Corinna Ripps-Schaming. University Art Museum, State University of New York at Albany, Albany, NY. June 29-Sept 15, 2018.
Author of the essay "When We Were Young: Rethinking Abstraction from the University at Albany Art Collections (1967-present) for the exhibition of the same name, curated by Corinna Ripps-Schaming. University Art Museum, State University of New York at Albany, Albany, NY. October 6-December 16, 2017.
“Terpsícore en la pintura: imágenes de danza de José Manuel Ciria / Terpsichore in Painting: José Manuel Ciria’s Images of Dance,” translated by David Cruz Acevedo, in Ciria: Heads Grids, curated and edited by Donald Kuspit. Madrid, Círculo de Bellas Artes, 2010, pp. 21-29 (Spanish) / 201-206 (English). PDF of the print catalog available through artist’s website: http://joseciria.com/wp-content/uploads/pdf/CIRCULOBELLASARTESbaja.pdf
Entries in books
Author of 31 entries on art for Art of the Erotic, Kim Scott, editor. London: Phaidon, 2017.
Author of 24 entries on western and non-western art for Body of Art, London: Phaidon, 2015.
Author of 17 essays on contemporary art in Art in Time: A World History of Styles and Movements, Tom Melick and Diane Fortenberry, editors. London: Phaidon, 2014.
Author of 21 entries on contemporary art in Art and Place: Site-Specific Art of the Americas, Rosie Pickles, editor. London: Phaidon, 2013.
Author of 54 essays on “Art since the Mid-20th Century” in The Art Museum, Diane Fortenberry, editor. London: Phaidon, 2011.
Publications in progress
Correcting Mirrors: Shame and Subjectivity in Contemporary Women's Art. Book project. Work in progress.
Author of 6 entries on twentieth-century dance for Performance, Laura Gardner, editor. London: Phaidon.
Peer-reviewer
Submission reviewer for The Journal of Art Historiography (University of Birmingham) spring 2014.
Chapters in books
“Performing Painting: On the Time of Embodied Vision,” in Seeing Whole: Toward an Ethics and Ecology of Sight, Mark Ledbetter and Asbjørn Grønstad, eds. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016, pp. 237-260.
Scholarly articles
“‘I longed to cherish mirrored reflections’: Mirroring and Black Female Subjectivity in Carrie Mae Weems’s Art against Shame,” Hypatia: A Journal of Feminist Philosophy 33, issue 3 (2018), Special issue—Gender and the Politics of Shame, ed. Clara Fischer: 500-520. https://doi.org/10.1111/hypa.12391 https://onlinelibrary.wiley.com/toc/15272001/2018/33/3
“Motherhood According to Martha Graham: Dancing Jocasta” Theory@Buffalo 19, Special issue—Difference: Sexual, Cultural, Universal (2017): 83-110. https://ubir.buffalo.edu/xmlui/bitstream/handle/10477/75208/TheoryBuffalo19.pdf?sequence=15
“Looking and Moving: Kinesthetic Empathy, Dance, and the Visual Arts,” Art Criticism 25, nos. 1-2 (Spring-Fall 2010): 153-168.
“Paul McCarthy’s Painter as Self-Portrait and Self-Loathing,” Art Criticism 24, no. 2 (Fall 2009): 84-103.
“The Personal and the Political: The Dynamics of East German Art in the Painting of Willi Sitte,” Art Criticism 19, no. 2 (Fall 2004): 121-142.
“A Psychoanalytic Interpretation of Paul McCarthy’s Santa’s Chocolate Shop,” Art Criticism 18, no. 2 (Fall 2003): 84-103.
“From Formalism to Informe and Back Again: Rosalind Krauss’s use of Bataille,” Art Criticism 17, no. 2 (Fall 2002): 70-88
Art criticism and reviews
Review of Cameron Martin, Abstracts and Reticulations, The Brooklyn Rail (September 2017).
https://brooklynrail.org/2017/09/artseen/MARTIN-ABSTRACTS-AND-RETICULATIONS
“‘Without Beginning or End’—The Trans-Temporal Art of Yeachin Tsai,” The Shambhala Times (26, 28, 30 July 2017). Published in serial:
https://shambhalatimes.org/2017/07/26/without-beginning-or-end-part-1/
https://shambhalatimes.org/2017/07/28/without-beginning-or-end-part-2/
https://shambhalatimes.org/2017/07/30/without-beginning-or-end-part-3/
And printed in its entirety on artist’s website:
https://www.yeachintsaifineart.com/without-beginning-or-end-review-by-robert-r-shane
“Temporal Nomads: The Scandal of Postmodern History Painting,” The Brooklyn Rail (June 2017). http://brooklynrail.org/2017/06/criticspage/Contemporary-History-Painting
Review of Joan Oliver, Landlocked: Among the Many, The Spot 518 (28 June 2017). http://www.spotlightnews.com/thespot/2017/06/28/art-review-artist-invites-people-of-the-digital-world-to-slow-down-and-look-deeply/
“Tiffany in a New Light [Louis Comfort Tiffany Stained Glass at St. Paul’s Episcopal Church, Troy, NY],” Capital Region Living, June 2013, pp. 52-55. https://www.crlmag.com/tiffany-in-a-new-light-june-2013/
Catalogue essays
Author of the essay "Warhol's Romanticism: Polaroids of Children and Their Mothers" for the exhibition Younger Than Today: Photographs of Children (and sometimes their mothers) by Andy Warhol, curated by Corinna Ripps-Schaming. University Art Museum, State University of New York at Albany, Albany, NY. June 29-Sept 15, 2018.
Author of the essay "When We Were Young: Rethinking Abstraction from the University at Albany Art Collections (1967-present) for the exhibition of the same name, curated by Corinna Ripps-Schaming. University Art Museum, State University of New York at Albany, Albany, NY. October 6-December 16, 2017.
“Terpsícore en la pintura: imágenes de danza de José Manuel Ciria / Terpsichore in Painting: José Manuel Ciria’s Images of Dance,” translated by David Cruz Acevedo, in Ciria: Heads Grids, curated and edited by Donald Kuspit. Madrid, Círculo de Bellas Artes, 2010, pp. 21-29 (Spanish) / 201-206 (English). PDF of the print catalog available through artist’s website: http://joseciria.com/wp-content/uploads/pdf/CIRCULOBELLASARTESbaja.pdf
Entries in books
Author of 31 entries on art for Art of the Erotic, Kim Scott, editor. London: Phaidon, 2017.
Author of 24 entries on western and non-western art for Body of Art, London: Phaidon, 2015.
Author of 17 essays on contemporary art in Art in Time: A World History of Styles and Movements, Tom Melick and Diane Fortenberry, editors. London: Phaidon, 2014.
Author of 21 entries on contemporary art in Art and Place: Site-Specific Art of the Americas, Rosie Pickles, editor. London: Phaidon, 2013.
Author of 54 essays on “Art since the Mid-20th Century” in The Art Museum, Diane Fortenberry, editor. London: Phaidon, 2011.
Publications in progress
Correcting Mirrors: Shame and Subjectivity in Contemporary Women's Art. Book project. Work in progress.
Author of 6 entries on twentieth-century dance for Performance, Laura Gardner, editor. London: Phaidon.
Peer-reviewer
Submission reviewer for The Journal of Art Historiography (University of Birmingham) spring 2014.
Curatorial Experience
Exhibition Committee Member
Albany Center Gallery, Albany, NY
2017 to present
Invited Exhibition Writer
Author of the essay “Dorothea Osborn: Pantheism in the Age of Plastic” for the exhibition Dorothea Osborn’s Mixed Media
University of Connecticut Stamford Art Gallery, Stamford, CT
March 23-April 30, 2015.
Invited Juror and Curator, Writer
Juror and curator of Fence Select, exhibition of contemporary artists from the Capital Region of New York, and author of exhibition essay “Critical and Beautiful: The Contemporary Artists of the Capital Region.”
The Arts Center of the Capital Region, Troy, NY
July 16 to August 29, 2014
Juror and Exhibition Committee Member
Saratoga County Arts Council at the Arts Center, Saratoga Springs, NY
2010 to 2012
Invited Juror and Curator
Patterns in Practice, exhibition of new student printmaking, November 2009.
Picotte Hall Art Gallery, The College of Saint Rose, Albany, NY
Exhibition Committee Member
Albany Center Gallery, Albany, NY
2017 to present
Invited Exhibition Writer
Author of the essay “Dorothea Osborn: Pantheism in the Age of Plastic” for the exhibition Dorothea Osborn’s Mixed Media
University of Connecticut Stamford Art Gallery, Stamford, CT
March 23-April 30, 2015.
Invited Juror and Curator, Writer
Juror and curator of Fence Select, exhibition of contemporary artists from the Capital Region of New York, and author of exhibition essay “Critical and Beautiful: The Contemporary Artists of the Capital Region.”
The Arts Center of the Capital Region, Troy, NY
July 16 to August 29, 2014
Juror and Exhibition Committee Member
Saratoga County Arts Council at the Arts Center, Saratoga Springs, NY
2010 to 2012
Invited Juror and Curator
Patterns in Practice, exhibition of new student printmaking, November 2009.
Picotte Hall Art Gallery, The College of Saint Rose, Albany, NY
Conferences
2019 The College Art Association Annual Conference, New York, NY
Session Chair: Maternal Subjectivity in Contemporary Art, co-chaired with Dr. Susan Van Scoy. Forthcoming
Paper: Forthcoming
2018 The Kristeva Circle, California State University Northridge, Los Angeles
Paper: “Milk and Tears”: Abjection, Reliance, and Shame in Susana Guerrero’s Sculptures of Breastfeeding. Forthcoming
2017 The Kristeva Circle, University of Pittsburg, PA
Paper: “The Time of Oblivion and Thunder": Cosmos, Intimacy, and Revolt in Claire Jacob-
Zysman’s Dance A Single Dot of Light (2012)
2015 The Kristeva Circle, University of Memphis, TN
Paper: “Motherhood According to Martha Graham: Dancing Jocasta”
2015 Southern Humanities Council conference, Athens, GA ; and 2013 National Conference on Liberal Arts and the Education of
Artists, School of Visual Arts, New York
Paper: “Collaborating with the Cosmos: Earthworks after Copernicus”
2014 Society of Dance History Scholars + Congress on Research in Dance joint conference, University of Iowa, Iowa City, IA
Paper: “The (M)other of Language: Martha Graham ‘Writing a Script of Movement’ for Jocasta and Oedipus”
2014 Nomadikon/Center for Ethics of Seeing, Athens, GA, October 2014
Paper: “Reflections on Time: The Face in the Mirror”
2014 The Kristeva Circle, Vanderbilt University, Nashville, TN
Paper: “The Temporal Scar: Zeitlos and Revolt in Women’s Memorial Art”
2014 Southern Humanities Council conference, Richmond, VA
Paper: “Memorial: The Temporal Scar”
2012 National Conference on Liberal Arts and the Education of Artists, School of Visual Arts, New York, NY; and The Kristeva
Circle, Siena College, Loudonville, NY, October 2012
Paper: “Commodity Abjection: the Performance Art of Paul McCarthy”
2012 The 6th Nomadikon Conference: Ecologies of Seeing. Organized by the University of Bergen, Norway. Hosted by The College of Saint Rose, Albany, NY
Paper: “Performing Painting: On the Time of Embodied Seeing”
2012 College Art Association Annual Conference, Los Angeles, CA, February 2012
Session Chair: Intersections between Art and Dance in the Twentieth-Century
2011 National Conference on the Liberal Arts and the Education of Artists, School of the Visual Arts, New York
Paper: Writing Art History as a Practice of Freedom
2011 College Art Association Annual Conference, New York, NY,
Paper: “Artist as Liar, Audience as Sucker: Commodity Fetishism in Paul McCarthy’s ‘Pinocchio’”
2006 International Association of Philosophy and Literature, University of Freiburg, Germany
Session Chair: “Collage, Layering, Juxtaposition”
2005 International Association of Philosophy and Literature, University of Helsinki, Finland
Paper: “The Forgiving Eye: Art and Creativity after the Ethics of Kelly Oliver” [Respondent: Kelly Oliver]
2005: “The Fate of Interiority in Modern and Postmodern Art” Conference held at Stony Brook Manhattan
Discussant
2004 International Association of Philosophy and Literature, Syracuse University and Le Moyne College, Syracuse, NY
Paper: “Ritually Thinking the Eye: An Aesthetics and Ethics of Vision after the Work of Mario Perniola” [Respondent: Mario Perniola]
2003 International Association of Philosophy and Literature, University of Leeds, England, May 2003 Paper: “The Future of an Illusion: Psychoanalysis and Spirituality in the Work of
Donald Kuspit” [Respondent: Donald Kuspit]
2002 International Association of Philosophy and Literature, Erasmus University, Rotterdam, The Netherlands
Session Chair: “Zones of Indeterminacy as In-Betweenness”
2019 The College Art Association Annual Conference, New York, NY
Session Chair: Maternal Subjectivity in Contemporary Art, co-chaired with Dr. Susan Van Scoy. Forthcoming
Paper: Forthcoming
2018 The Kristeva Circle, California State University Northridge, Los Angeles
Paper: “Milk and Tears”: Abjection, Reliance, and Shame in Susana Guerrero’s Sculptures of Breastfeeding. Forthcoming
2017 The Kristeva Circle, University of Pittsburg, PA
Paper: “The Time of Oblivion and Thunder": Cosmos, Intimacy, and Revolt in Claire Jacob-
Zysman’s Dance A Single Dot of Light (2012)
2015 The Kristeva Circle, University of Memphis, TN
Paper: “Motherhood According to Martha Graham: Dancing Jocasta”
2015 Southern Humanities Council conference, Athens, GA ; and 2013 National Conference on Liberal Arts and the Education of
Artists, School of Visual Arts, New York
Paper: “Collaborating with the Cosmos: Earthworks after Copernicus”
2014 Society of Dance History Scholars + Congress on Research in Dance joint conference, University of Iowa, Iowa City, IA
Paper: “The (M)other of Language: Martha Graham ‘Writing a Script of Movement’ for Jocasta and Oedipus”
2014 Nomadikon/Center for Ethics of Seeing, Athens, GA, October 2014
Paper: “Reflections on Time: The Face in the Mirror”
2014 The Kristeva Circle, Vanderbilt University, Nashville, TN
Paper: “The Temporal Scar: Zeitlos and Revolt in Women’s Memorial Art”
2014 Southern Humanities Council conference, Richmond, VA
Paper: “Memorial: The Temporal Scar”
2012 National Conference on Liberal Arts and the Education of Artists, School of Visual Arts, New York, NY; and The Kristeva
Circle, Siena College, Loudonville, NY, October 2012
Paper: “Commodity Abjection: the Performance Art of Paul McCarthy”
2012 The 6th Nomadikon Conference: Ecologies of Seeing. Organized by the University of Bergen, Norway. Hosted by The College of Saint Rose, Albany, NY
Paper: “Performing Painting: On the Time of Embodied Seeing”
2012 College Art Association Annual Conference, Los Angeles, CA, February 2012
Session Chair: Intersections between Art and Dance in the Twentieth-Century
2011 National Conference on the Liberal Arts and the Education of Artists, School of the Visual Arts, New York
Paper: Writing Art History as a Practice of Freedom
2011 College Art Association Annual Conference, New York, NY,
Paper: “Artist as Liar, Audience as Sucker: Commodity Fetishism in Paul McCarthy’s ‘Pinocchio’”
2006 International Association of Philosophy and Literature, University of Freiburg, Germany
Session Chair: “Collage, Layering, Juxtaposition”
2005 International Association of Philosophy and Literature, University of Helsinki, Finland
Paper: “The Forgiving Eye: Art and Creativity after the Ethics of Kelly Oliver” [Respondent: Kelly Oliver]
2005: “The Fate of Interiority in Modern and Postmodern Art” Conference held at Stony Brook Manhattan
Discussant
2004 International Association of Philosophy and Literature, Syracuse University and Le Moyne College, Syracuse, NY
Paper: “Ritually Thinking the Eye: An Aesthetics and Ethics of Vision after the Work of Mario Perniola” [Respondent: Mario Perniola]
2003 International Association of Philosophy and Literature, University of Leeds, England, May 2003 Paper: “The Future of an Illusion: Psychoanalysis and Spirituality in the Work of
Donald Kuspit” [Respondent: Donald Kuspit]
2002 International Association of Philosophy and Literature, Erasmus University, Rotterdam, The Netherlands
Session Chair: “Zones of Indeterminacy as In-Betweenness”
Guest Lectures
2017 Lecture, Feminist Art Reading Group, State University of New York at Albany
Title: “Maternity and Psychoanalysis: An Introduction to the Work of Julia Kristeva”
2017 Address for 20th Anniversary of the Hubbard Interfaith Sanctuary. The College of Saint Rose, Albany, NY
Title: “Art and the Sacred”
2016 Lecture in conjunction with the College of Saint Rose’s Symphony Orchestra, cond. Dr. David Bebe, for its performance of Impressionist Music (Debussy and Ravel)
Title: Impressionist Art
2016 Keynote address for the 7th Annual Student Art Exhibit, New York State Office of General Services and Capital Area Art Supervisors, Empire State Plaza, Albany, NY
Title: “Art Educates”
2016, 2014 Lecture, History of Twentieth-Century Dance, Prof. Ellen Sinopoli, Russell Sage College,
Troy, NY
Title: “Art and Dance Collaborations: Graham/Noguchi and Cunningham/Rauschenberg”
2012 Lecture and guided discussion of Jacques Derrida’s “Passe-Partout” from The Truth in Painting (1978), ART518 Contemporary Art History, Dr. Lucy Bowditch, The College of Saint Rose, Albany, NY
Title: “Derrida and Aesthetics”
2017 Lecture, Feminist Art Reading Group, State University of New York at Albany
Title: “Maternity and Psychoanalysis: An Introduction to the Work of Julia Kristeva”
2017 Address for 20th Anniversary of the Hubbard Interfaith Sanctuary. The College of Saint Rose, Albany, NY
Title: “Art and the Sacred”
2016 Lecture in conjunction with the College of Saint Rose’s Symphony Orchestra, cond. Dr. David Bebe, for its performance of Impressionist Music (Debussy and Ravel)
Title: Impressionist Art
2016 Keynote address for the 7th Annual Student Art Exhibit, New York State Office of General Services and Capital Area Art Supervisors, Empire State Plaza, Albany, NY
Title: “Art Educates”
2016, 2014 Lecture, History of Twentieth-Century Dance, Prof. Ellen Sinopoli, Russell Sage College,
Troy, NY
Title: “Art and Dance Collaborations: Graham/Noguchi and Cunningham/Rauschenberg”
2012 Lecture and guided discussion of Jacques Derrida’s “Passe-Partout” from The Truth in Painting (1978), ART518 Contemporary Art History, Dr. Lucy Bowditch, The College of Saint Rose, Albany, NY
Title: “Derrida and Aesthetics”
Exhibition and Performance Record
Resident Costume Designer
Claire Jacob-Zysman and Dancers, 2014 to present
Two costumes for the piece Electric Counterpoint (2015), premiered Massry Center for the Arts, College of Saint Rose, Albany, NY
One costume for the piece Landscape with Birds (2015), premiered Massry Center for the Arts
Six costumes for the piece Microcosm (2014), premiered Woodstock, NY
Exhibiting Artist
Our Heads, curated by Brian Cirmo
Albany Center Gallery, Albany, NY
Oct-Nov, 2013
Dancer
Claire Jacob-Zysman and Dancers. Choreography by Claire Jacob-Zysman.
July 1, 2012.
An Inside/Out Community Day performance at Jacob’s Pillow Dance Festival, Beckett, MA
Dancer
An Evening with Claire Jacob-Zysman and Dancers. Choreography by Claire Jacob-Zysman. September 2, 2011.
A First Friday performance hosted by Westminster Presbyterian Church, Albany, NY
Dancer
At First Glance. Choreography by dancers from the Ellen Sinopoli Dance Company, Albany, NY. October 29 & 30, 2010.
The Arts Center of the Capital Region, Troy, NY
Exhibiting Artist
Faculty Show, Sept-Oct 2007
The College of Saint Rose
Exhibiting Artist
Mohawk-Hudson Regional Juried Exhibition, 2000
Xu Bing, Juror
University Art Museum, State University of New York at Albany, Albany, NY
Muralist
“Hudson Riverfront Mural” by Albany Mural, Jan-Marie Spanard, director
trompe-l’oeil public mural commissioned by the City of Albany, NY
June-November 1999
Claire Jacob-Zysman and Dancers, 2014 to present
Two costumes for the piece Electric Counterpoint (2015), premiered Massry Center for the Arts, College of Saint Rose, Albany, NY
One costume for the piece Landscape with Birds (2015), premiered Massry Center for the Arts
Six costumes for the piece Microcosm (2014), premiered Woodstock, NY
Exhibiting Artist
Our Heads, curated by Brian Cirmo
Albany Center Gallery, Albany, NY
Oct-Nov, 2013
Dancer
Claire Jacob-Zysman and Dancers. Choreography by Claire Jacob-Zysman.
July 1, 2012.
An Inside/Out Community Day performance at Jacob’s Pillow Dance Festival, Beckett, MA
Dancer
An Evening with Claire Jacob-Zysman and Dancers. Choreography by Claire Jacob-Zysman. September 2, 2011.
A First Friday performance hosted by Westminster Presbyterian Church, Albany, NY
Dancer
At First Glance. Choreography by dancers from the Ellen Sinopoli Dance Company, Albany, NY. October 29 & 30, 2010.
The Arts Center of the Capital Region, Troy, NY
Exhibiting Artist
Faculty Show, Sept-Oct 2007
The College of Saint Rose
Exhibiting Artist
Mohawk-Hudson Regional Juried Exhibition, 2000
Xu Bing, Juror
University Art Museum, State University of New York at Albany, Albany, NY
Muralist
“Hudson Riverfront Mural” by Albany Mural, Jan-Marie Spanard, director
trompe-l’oeil public mural commissioned by the City of Albany, NY
June-November 1999
Professional Affiliations
Academic Honors
Languages
- College Art Association, member, http://collegeart.org/
- Society of Dance History Scholars, member, https://sdhs.org/
- The Kristeva Circle, http://www.kristevacircle.org/
- American Association of University Professors, member, http://www.aaup.org/
Academic Honors
- 2010 American Council of Learned Societies Fellowship Nominee, Stony Brook University, Stony Brook, NY
- 2005 Dedalus Foundation Fellowship Nominee, Stony Brook University
- Academic Scholarship, Department of Art History and Criticism, Stony Brook University
- Teaching Assistantship, Department of Art History and Criticism, Stony Brook University 2001-2005
Languages
- Spanish: intermediate verbal and written knowledge
- German: reading knowledge
- French: reading knowledge
